I thought it would be the new house. Or the career frustration. Maybe the Emmy Awards. That wonderful wedding in Jakarta. But no. It took a Sophie Kinsella book to stir me out of my too-lazy-to-blog phase. And who can blame me? It is a GREAT book.
Ever since I read the first Shopaholic book many years ago, I knew I had come across something really special. I’ve read all Sophie Kinsella’s books (except for the ones she wrote under her real name, Madeleine Wickham) and decided that my personal favourite was ‘Shopaholic Ties the Knots’, the third book in the series. That’s one where Becky (said Shopaholic in the title) has to choose between a grand wedding at the Plaza Hotel or a tacky yet charming one in her hometown in Surrey. I know. This kind of nonsense only happens to Becky. Every other book, though very funny, features characters that are, well, too shallow and/or incompetent to be true. Sue me for wanting a degree of realism in a chicklit.
Twenties Girl, however, is in a class of its own. Story-wise, it sounds like the plot of a Woody Allen movie, the one with Scarlett Johansson. Which one? Oh right, there’s more than one. ‘Scoop’! That’s the title. In the film, Scarlett’s character, while assisting a magician (Woody Allen) in his stage show, is visited by a reporter’s ghost who tells her that a millionaire (Hugh Jackman) has murdered him. Now, no one is murdered in the book, but there is a ghost. A highly annoying one, who, by the end of the story, will win your heart.
The main character, Lara Lington (perhaps inspired by the Superman saga, this “LL” initial?), is in a very bad state. Her boyfriend of many years has dumped her, her best friend/business partner has run off to Goa, leaving their headhunting business in shambles. In the midst of all this, she has to attend her great-aunt’s funeral, a 105-year-old named Sadie, whom she had never met before. Then, out of the blue, Sadie’s ghost (who appears in her prime age of 23), begins to haunt Lara and Lara alone, demanding the return of her necklace. And so begins the roller-coaster journey, with the requisite love interests (an American businessman and Lara’s ex), makeover tips, a too-easy-to-hate nemesis (Lara’s millionaire/motivational guru uncle), and as can be expected of Sophie Kinsella, hilarious antics that can somehow be applied to career advancement.
Granted, the theme of story is classic: the life-changing twist. It could be a brain tumor (Queen Latifah’s the Last Holiday), a morally questionable client (Miss Pettigrew Lives for A Day), or the narrator in your head warning of your imminent demise (Stranger than Fiction). The point is, it forces you to reevaluate your life. And Sadie’s ghost, adorably carefree and gifted in persistence, does this to Lara in several horrible but amusing ways. The give and take relationship between them, facilitated by Sadie’s banshee screams, is the main attraction of the book. There is perfect chemistry between them, not the kind that chick flick best friends have, but the kind that police partners do (Dare I say Bones here?). Of course, some of the secondary characters can be a tad grating (Lara’s Paris-Hilton-like cousin for one. Her name is DIAMANTE, for God’s sake) but it serves to up the level of humor. Other little details, however, are genius. The uncle’s coffee-shop empire, a machinery even more nauseating than Starbucks, is a great example of this. His motivational maxim is another. For once in a Kinsella book, I didn’t find myself jumping ahead and figuring out the entire plot halfway through. Not that I couldn’t, mind you. I just couldn’t be bothered. The book was THAT good. Predictable? Didn’t even notice.
Then, there is another thing that draws me to the book. It’s the classic reference. I am never happier than when I catch a black-and-white screwball on TV, or a delightful song and dance musical. I’m simply obsessed with the classic film era. Granted, my obsession revolves around the 40s and 50s but the 20s are just as great for me. And Sadie is the perfect embodiment of that decade. Gorgeous, unapologetic, and independent. So different from Lara, burdened by (to Sadie) the bizarre modern customs. As I imagined Sadie’s voice, so perfectly British with that melodic movie star drawl, I knew I’d lost. This book would forever be a favorite of mine. This is the Sophie Kinsella book that I know, I just instinctively know, would be as perfect on the screen as it is on page. If whoever bought the film rights could just do it properly, that is. We no longer have Sydney Pollack (who revived Audrey Hepburn’s Sabrina in 1993) to do it for us, but there’s yet hope.
Or as Sadie would say, “Tally Ho!”

